MOVI PRO MONITOR BLUETOOTH
MOVI PRO MONITOR PROFESSIONAL

The original DJI Ronin, at 4.2kg, was heavier than the MōVI Pro, however the benefit was that it was exceptionally easy to balance and master and offered exceptional affordability and specification. There is now a gimble solution for all productions! This range is now been expanded to also include a built-in 4K camera head on a stabilised handle to feature the micro-compact Ronin Osmo X3 and high spec Osmo X5R with on-board 4K RAW capture. However, in our opinion the undisputed winner though is the drone manufacturer, DJI, who released the popular DJI Ronin Gimbal which VMI converted to the extension arm system and more recently the greatly superior Ronin 2 plus lighter-weight Ronin MX and single-handed operation Ronin S.

MOVI PRO MONITOR PROFESSIONAL

The Gimbal systems developed from the model radio control aircraft technology (RC) originally, using many of the same parts and rather unsatisfactory connectors for DC power and control systems and as a result, the original systems were rather flimsy and more consumer than professional – a far cry from the solid Broadcast and Film grip systems and Steadicam Vests that we were all accustomed too but all have now reached a level of sophistication that the reliability and operation is much more dependable, so they have reached widespread acceptance as regular production tools.Īll of these systems have improved, as did the aerial drone systems that they evolved from, with MōVI developing the much improved MōVI M15 and later MōVI Pro, each of which offered greater payload capacity and also greatly improved remote control interface. Saying that though, modern Gimbal systems offer even greater versatility, especially with the increasing range of support vests and systems – more on this later. Their design means that operators can hold them for longer durations and are still the preferred system for top-end Dramas, Features and long takes. Steadicams are still the preferred tool for supporting long takes, have a higher payload capability and offer great versatility. It is worth mentioning that Gimbals are NOT the panacea of steady shot systems and as such, are not a replacement to the Steadicam. This article explains the benefits and limitations of using these Gimbal systems and provides essential information if you want to use one in production and was completely revised in October 2019 to reflect the recent developments and changing production methodologies of gimbal technology. (You still need training to use and balance a Gimbal effectively but they are much quicker to master). Steadicams had been around for a long time but you had to have a trained operator – so if you couldn’t afford a Steadicam, then it was clear that you needed to hire a Gimbal. Introduction This is definitely the time of the Gimbal.Įver since the incredibly stable images produced from the first MōVI 10 system went viral in 2013 from an operator doing his best to unseat the camera, the word Gimbal has entered into the vernacular of the filmmaker. The MAJESTIC mode is used for one operator and the DUAL mode allows the device selection for a second operator (MIMIC, MOVI CONTROLLER).This article explains the benefits and limitations of using these Gimbal systems and provides essential information if you want to use one in production. The MOVI PRO app allows you to limit the three axes angle, tune the balance and adjust the speed of axis movement. The MIMIC replicates the movement of the second operator who control the tilt, pan and roll. The MOVI CONTROLLER has a focus control (FIZ) to control the focus, iris or zoom and a joystick to move the three axis.

MOVI PRO MONITOR BLUETOOTH

The MIMIC and the MOVI CONTROLLER have Bluetooth and integrated 2.4 GHz radio for a proper comunication between devices and accessories. The new handle desing MOVI Ring PRO allows the operator to hold the MOVI PRO from almost every angle helping him to capture high and low shoots.įor a two operators configuration, the MIMIC and the CONTROLLER syncs with the M ōVI PRO through a radio-frequency incorporated system allowing to control the the three axis camera movement by one operator when the second operator is moving arround. The MOVI PRO has two batteries to power up the camera and the accessories in order to maintain the same weight and volume. The maximun weight supported by the motorized MOVI PRO stabilizer is 6,8 kg. MōVI PRO admits many configurations and one or two operators.

MōVI PRO is composed of a motorized stabilizer MōVI PRO, a MōVI Controller and the MIMIC.

Movi pro monitor